I use expressive mark making to create abstract, decorative pieces which feature repetition and rhythm, layers of complexity and organic forms. I’m fascinated by the interplay of colours, shapes and patterns. My paintings are rarely envisioned but develop over days as I respond to the materials and the marks on the page, creating complex illusionary landscapes.

My artworks have been described as having a magical or other worldly quality, although I am very much fascinated by the magic and wonder in this world. I’m mesmerized by the beauty, colour and pattern in our natural world. I’ll frequently have a love affair with something where I become obsessed with it for a while; from snow flake structures, to patterns on shells, or the colours and patterns on fish scales, or antique Indian textiles, or bird feathers or butterfly wings, or the patterns on maps… I also have some magpie tendencies and am rather drawn to the glittering and glinting, iridescent or luminous… 




I experiment in my sketchbooks and will sometimes take a germ of an idea from these and use it as a springboard for a larger work. Most of my work features watercolour. There is something about the unpredictability of this kind of paint which I find alluring and magical. I love the way the paint and colour mixes with the water on the page and creates unexpected patterns. I love the transparency of it, the ability to build up layer after layer of paint. There’s a slight wild-childness about watercolour, it doesn’t always do what you want it to do, and I love it all the more for that. I also love mixing mediums, experimenting with combinations of different types of paint, pen or materials creating layers and different textures, and effects.




Sometimes being an artist is like being a visual adventurer. I am always on the lookout for colours, patterns, tiny inspirations that I can collect, expand upon and use in my paintings. Sometimes these come through active searching, I might take a walk on the beach or in nature to actively seek-out some inspiration, looking at the details of plants and the shapes of the leaves, patterns on pebbles, or the way the water creates lines in the sand.



 Patterned paper on my desk

Patterned paper on my desk







 IN my sketchbook

IN my sketchbook


Trees are poems that the earth writes upon the sky.

I’ve recently been working on this series of small paintings on paper. They are somewhat other-worldly landscapes which celebrate my love and fascination with trees. Inspired by an early morning walk where the sunlight danced through the tree canopies and created pinpoints and orbs of shimmering light.

The four paintings are made by adding layer upon layer of watercolour and acrylic paint and are all finished with white ink detailing which adds a slightly surreal and ethereal effect to the images. They are all painted 100% cotton paper and are available to purchase in my shop.

Light Dancing in the Trees series by Helen Wells
Light Dancing in the Trees Series by Helen Wells
Light Dancing in the Trees Series by Helen Wells


Sometimes you have to stop doing and just be. Creativity can spring from stillness and contemplation, as much as it can from action and endeavour.
— Helen Wells
Helen Wells Artist-2.jpg
Helen Wells Artist-10.jpg

This Summer, I've taken a slower than usual, meander through life.

My natural tendency is to do, do, do.  To try new things, to spin fast. To be keen and eager. To be conscientious and hard working. To be busy and whizy and always striving to get stuff done. I'm usually high in energy and I like the feeling of having achieved something new or taken action. I revel in a continual sense of forward momentum, to-do lists, activities, actions, endeavours...

Helen Wells Artist-9.jpg

But at the beginning of the summer I realised I was feeling a little washed out and worn out. A little too tired. A little less energetic and energised than usual. So,  I decided to give myself permission to take life at a gentler, slower pace, to replenish my reserves and respond to the natural ebb and flow of my energy levels.  I've allowed myself to take my foot off the gas a little and work a little less and relax and rest a little more. 

I've engineered a little more space in my life and carved out a little more me time. I've said no to more things than usual, and gone to bed earlier and read books and rested. I've organised and tidied my studio. And played about with paint and experimented just for the joy of experimentation. I've drawn and painted in my sketchbook. And I've found this little leisurely lull has done me the world of good. I am now feeling more energised and energetic and more raring to go, just by doing a little less, and forcing myself to enjoy life at a slightly more leisurely pace, I have more ideas and more get up and go.

During my slightly slower summer I have also been thinking, pondering, musing and mulling away in the background about the online class on Expressive Sketchbooks I am developing. I was hoping that I would have finished it by now, but I haven't. I apologise if you have been awaiting its arrival. 

I don't yet know when I will launch the finished course. It has been taking me longer than i thought, and I've decided that this is not a bad thing. It's a good thing to let it mature and develop and come into being without an enforced or arbitrary deadline.

I want it to be the best course I can make it and for me that means it may take longer than I hoped. I've decided I'm okay about it taking longer to spring into life and I hope you are to. If you are interested to know when it does launch into life you can sign up to receive an email here.

Helen Wells Artist-4.jpg
Helen Wells Artist-6.jpg
Helen Wells Artist-1.jpg
Helen Wells Artist-3.jpg


 Wet paint, work in progress.

Wet paint, work in progress.

I had one of those great days in the studio this week, a day when everything seemed to work and I was in a wonderful creative flow. Paintings seemed to unfurl and burst into life with ease. Everything just seemed to work. It was like magic. 


And that got me thinking about the days when the magic is missing. That these wonderful easy days, the days that feel full of artistic alchemy are not all that common. There are so many days when the creative process is harder, days when I feel stuck or uninspired.

So incase you feel the same, I wanted to share with you some of the tools and techniques I have found that work for me. Things I find so valuable on the 'unflowy' kind of days.

Tricks to magic up the 'flow' when it doesn't seem to be appearing on its own.  Ways of getting unstuck whilst creating and ways to start yourself creating when inspiration seems elusive. 

Getting perspective

When  you are  stuck whilst in the process of creating, getting some perspective can work wonders. 

Sometimes you are just too close to the piece of artwork that you are creating. A little distance can be so useful to get some perspective so you can see 'the wood for the trees'. There's the classic, 'leave it and come back to it the next day' technique. This time away from an artwork allows you to see it with fresh eyes. It gives you the objectivity that might be missing whilst you are actually working on it.

But sometimes you need to magic up some in-the-moment perspective when you don't have the luxury of lots of time. My go-to technique is taking a photograph of the work on my phone. Somehow I see the work with more objectivity by using this one-step-removed method. I invariably see things in the photo that I didn't see whilst working on the painting. I might even take a black and white photograph so I can see the tonal differences.

Helen Wells art

Another way to get perspective is to move yourself physically away from what you are working on. Look at the work from a more removed vantage point, I might put it on the wall and move away or just put it on the floor.



Another technique is to turn the painting upside down. Basically all these methods help me to see my work with new eyes, give me a new perspective and often this is all I need to release me from being stuck in that moment.

More than one on the go

I find that working on more than one painting or piece at a time helps to get me unstuck. By working on several different pieces at once, I'm creating my own flow and momentum.

helen wells

In some ways this is also practical for me, as I  use lots of layers of paint and it stops the 'waiting around for the paint to dry'. It also creates an energy and if I'm feeling stuck on one, I can just move on to the next, it creates a break in routine and means that I'm not just looking or obsessing about one piece, it’s just another way of gaining valuable perspective and a little bit of distance.

Don't wait for inspiration

I read somewhere that 'inspiration is for amateurs' and whilst I think this is overly brash, I do agree with the sentiment that you can't just wait around for inspiration to find you, you have to go and find it. If you're waiting for a time when you feel truly inspired, you could be waiting around for ever.

I find that sometimes I have to actively kickstart my inspiration. On days when I'm feeling decidedly under inspired, I have to manufacture my inspiration. I find that taking some action, doing something, turning up at the blank page and just starting is often enough to get the ball rolling. When inspiration is elusive I set myself a small task or project to manufacture my missing inspiration. (See setting boundaries for some ideas.)


Setting boundaries

Sometimes infinite possibilities are paralysing rather than liberating. Sometimes it can feel daunting to know that you could do, or create absolutely anything. Limitless options can lead to lack of action.

So on the days when my mindset is decidedly 'unflow' like I set myself small tasks just to get myself going and create the momentum that comes with action. I set myself parameters and boundaries that help me overcome the issue of infinite choices.

I might go to the greengrocer and decide to pick one piece of fruit or one vegetable that I find interesting and use that to inspire some drawings.. (I particularly like pineapples and broccoli). I might set myself a limited colour palette, ie I can only use blue or red, or I can only create a piece that is pink or grey.

I might use one small bit of stimuli to create 10 images, i.e. one leaf drawn over and over again.

I might open a magazine at a random page and use whatever text or image I see as a springboard.

I might take myself and my camera on a 10 minute walk, actively searching for inspiration and something I find interesting.

I might pick an artist I'm interested in and use one of their paintings as an inspiration.

I might re-purpose an old painting, cut it up and use it to create something new. I find that setting my own boundaries makes it easier to start and once you've started, it is easier to carry on.


Letting go

Because I'm always happy to start over with a painting if it's not working, to paint over it, cut it up or repurpose it, it means I am now less attached to every piece being perfect.

Some of the things I create are wonderful and some of them are rubbish. Over the years I've learnt to let go of my perfectionist tendencies, the unrealistic expectations which put too much pressure on the act of creating, the expectations which can even stop you creating completely.  I've discovered the hard way that the less I am attached to perfection the better the piece seems to turn out, the more I embrace playfulness rather than perfection the better my work ends up.



Colour in a picture is like enthusiasm in life
— Vincent Van Gogh

I've been working away on some new colourful paintings. The series is called Colour and Joy and I had a lot of joy painting them. 

I love experimenting with different materials and these art works are made by applying lots of layers of acrylic paint to stretched canvas.

I don't use acrylic paint that often, but I'm currently having a good full blown love affair with it. I don't use square canvases often either but I'm really loving the dynamics of using a square. So creating this series of paintings has been a lovely reminder to experiment, use different materials, get out of my comfortable groove, try something different and see where it takes you. 

Helen Wells abstract art

I am always obsessed by overlaying colours and patterns on top of each other to create crazy combinations and I've found acrylic paint allows me to do this in a different way to watercolour. So let's see  how this new artistic experiment develops. I'm toying with doing some big canvases.

I've just put these four brand new paintings in my shop where I am currently trialing free international delivery. 

 Colour and Joy Two by Helen Wells

Colour and Joy Two by Helen Wells

 Colour and Joy Four by Helen Wells

Colour and Joy Four by Helen Wells

 Colour and Joy Three by Helen Wells

Colour and Joy Three by Helen Wells

 Colour and Joy One by Helen Wells

Colour and Joy One by Helen Wells


I love taking photographs as I work. Often stepping back and looking at an art work through the camera or phone lens gives you a totally different, more objective view. I often see different aspects, areas or dynamics when looking through the lens.

There are lots of good techniques for gaining this kind of perspective, looking at an artwork in the mirror, coming back to a painting on a different day or even turning it upside down, but my favourite is taking photographs. 

My obsession with patterns and colours mean that I often spot an interesting combination as I work. Here are some of my favourite photographs from my studio. A celebration of paint, pattern and colour...

Helen Wells Artist
Abstract art by Helen Wells
Helen Wells Artist
Helen Wells Artist
Helen Wells artist
helen wells artist
Helen Wells Artist
Helen Wells Artist
Helen Wells Artist
Helen Wells Artist
Helen Wells Artist
Abstract art by Helen Wells
Abstract art by Helen Wells
Helen Wells Artist
helen wells artist


The sea, once it casts its spell, holds one in its net of wonder forever.
— Jacques Yves Cousteau, Oceanographer

This year I've been working on a series of paintings which are directly influenced by living near the sea in Hastings on the south coast of England.

I'm super lucky to have the sea at the end of my street and can see it from my studio window. It's a magical and alluring presence in my life and its influence is evident in my abstract art works. 

it strikes me that there is a powerful connection between this inspirational force and the medium I'm most often drawn to - watercolour paint, which comes alive because of how it combines with water. 

Helen Wells Abstract Art

I love the way the colour mixes with the water on the page and creates unexpected patterns. I love the transparency of it, the ability to build up layer after layer of paint. There’s a wild-childness about watercolour, it doesn’t always do what you want it to do, and I love it all the more for that.

Helen Wells Abstract Art

The Sea and Sky series of paintings I've been working on this year feature this wonderful wild-child watercolour paint as well as acrylic ink & paints and gold paint details.

I love mixing different kinds of medium and paint to achieve patterns and textures, multiple layers and sometimes it creates a total mess, sometimes it creates magic. 

Helen Wells Work in Progress
Helen Wells Work in Progress
Helen Wells Artist work in progress

This new series of paintings is now available in my shop

Life as an artist. Some things I've learnt.

Don’t be a good girl. Do embrace your weirdness. Jealously guard your time to create. Don’t iron your shirts. Feel scared and get on with it.
— Helen Wells
Life as an Artist.Some things i've learnt.jpg

I read a lot about creativity, what it is and how to nurture it. I have so many books on the subject. I'm fascinated about the creative process and find myself frequently reading about it. Recently, as I've started to develop my online class on Expressive Sketchbooks, my reading on the subject has reached fever pitch. And today I was thinking about whether this excessive reading was helpful and why I felt the need to read every single book, ever written on the subject...

It dawned on me that I was doing what I know a lot of women do and what we have been conditioned to do. I was being good and diligent. I was over preparing. I was hiding behind research. I was being a good girl. I was wanting to know all the theory to feel equipped and confident and in charge and in control. I was hiding behind collecting and collating other people's ideas.  I was unconsciously thinking...if I read just one more book, one more article, it will make me a better teacher, a better creativity coach, more informed, less vulnerable and it might do these things...  

Then I gave myself a talking to....the truth is I've been running sessions on creativity, and teaching people creativity techniques for 20 years, I'm a professional artist, I literally create new art works every day. I have a story to tell and I don't need to tell somebody else's. I have my own thoughts on this subject, I don't need to collect everybody else's to validate mine. 

So in the spirit of not telling you what other people think, today, I thought I'd shake myself out of good-diligent-over-prepared-researching-not-doing mode and just write a blog post, off-the-cuff about what I've learnt as an artist. I'm just going to get on and type and see where it goes. No preparation, just honesty. Here goes:

Helen wells art



There is no such thing as normal. I've done my fair share of people pleasing and trying to fit in. But now, rather than trying to straighten out my quirks, I realise that my weird bits are perhaps the most interesting bits about me. My lifelong obsession with patterns (I can still remember all the carpet and wallpaper patterns in a house we left when I was five), that fact I think that some smells have colours, my highly sensitive personality, my all consuming love affairs with random items from the natural world, (shells, feathers, pine cones, leaves, seaweed, fish scales)... all these things are the things which come out in my art. Rather than suppressing them, I am trying to embrace them, celebrate them, utilise them.

helen wells



I was once rejected from a prestigious London Art School because I was useless at talking about my work. I heard after the interview that they would have enrolled me on the strength of my work, but that I was terrible in the interview. They had a point, I was terrible in the interview. I think I was actually crying as I zipped up my portfolio case and left the interview room. The interview was brutal and left me feeling bruised and humiliated. But hindsight is a wonderful thing, I would have hated studying at that particular university.  I've probably been more successful and happier because I've followed my own wonky path and forged my career on my own terms. 

Helen Wells sketchbook



Social media has made it so easy for us to compare ourselves, our lives, our creative output, our artwork with other people’s artwork. Or so we think… in my experience we tend to compare our very worst bits with someone else’s best bits. I've now learnt to stop comparing my artistic journey with anyone else's. I believe that comparison is the thief of joy. I now only want to compare my work against my work. Am I learning? Am I developing? Am I expressing myself? Am I connecting with others? Am I doing my best work? Am I feeling fulfilled by my output? Am I pushing myself?

helen wells.



Creativity takes practice, it is not about innate genius, or talent necessarily, it's about doing, and doing some more. I'm a great believer in the power of starting. The power of taking some action and going from there. Turning up at the page and just starting. We can spend out lives thinking... and planning...and pondering... and ...considering. Sometimes this thinking and planning can be especially valuable, but we need to guard against it stopping us from progressing. See above.. I'm as guilty as anyone. So rather than thinking about starting and unproductive procrastination, sometimes we just need to give ourselves a good push up the bum, count down from five and begin, and we start. And then we respond to what we have done. And then we edit and refine, but we take some action...we are progressing.

Helen Wells abstract art



Life is hectic. There is always too much to fit in. I get it. But finding and making time to nurture my creativity and explore my ideas has been life enhancing and life changing. I am often guilty of playing the too busy card, but when I find time to play and experiment in my sketchbook I always feel more alive, more inspired and more connected to myself. There are always other things I should be doing, but I now don't iron a single thing and my life is better for it. I draw whilst watching television. I always carry a notebook and write down ideas whilst on the train or at the bus stop. I take photos of interesting patterns on the way to the Post Office. I bung food in a slow cooker before breakfast and dinner miraculously makes itself. I turn off my phone and paint. I sometimes cancel social engagements because I want to make art. I have become better at jealously guarding my creative time and carving out space.




Insecurity, anxiety and fear will always rear their heads. In the past I have let my internal negative monologue stop me in my tracks, in fact it stopped me creating and drawing for years.  I’m sad that I let that happen, but I’m making up for lost time now. I still fear scared, I still feel uncertain, but I just get on with it and the 'doing' makes me feel so much better than the 'not doing' ever did. 

helen wells abstract art









7 Ways to develop creative courage.jpg
Creative people are curious, flexible, and independent with a tremendous spirit and a love of play

You are a creative powerhouse! I know that sometimes it may not feel like it, but I believe we are all innately creative with a massive amount of creative potential.

Sometimes we get in our own way and in the way of this potential.  I certainly have.  

Here is what I have learnt along the way about the creative process, or as I’m being snazzy today “Seven ways to develop your creative courage”. I hope it may resonate with you and your experiences.

helen wells art


Whether it’s creative writing, or drawing, or making music, a big, important part of the joy of creating is the process itself or the ‘doing’. 

We often get hung up on the result, without remembering that the 'process' that got us there is just as valuable. 

I used to be a crazed perfectionist when it came to my art. So much so, that I let my negative judgement get in the way of my enjoyment of the activity. 

For many years in my 20s I didn’t draw anything at all, because I was so critical of what I did draw. I stopped making art entirely because I always thought the end results were, quite frankly rubbish.  I found it easier to not do it at all. I let my own criticism get in the way of something which I just loved to do so much. 

So, now I try to not be so attached to the outcome. Ralph Waldo Emerson said that “life is a journey, not a destination” and perhaps this also applies to our creative endeavours. If we can love the 'doing' and learn from the process, then the outcome isn’t EVERYTHING, it is just part of the magical mix! 

helen wells creativity


Apparently, our beautiful brains create up to 50,000 thoughts a day (that's quite creative) but unfortunately up to 80% of them are negative. Not so helpful when we are trying to ignite our fledgling flickers of creativity. Negative self-talk or chatter is just part of being a human and we can’t stop it. We can’t eliminate the “critical radio” that is broadcasting constantly in our head. I don't think trying to replace negative thoughts with positive ones works. What we can do, is remember that our thoughts are just thoughts. They are not necessarily true. 

 If we keep playing the same thought on repeat, it can be helpful to unpack it. I find it helpful to ask:

•    Is it true? 
•    Is it helpful? 
•    Is it kind?

Sometimes when we probe our self-critism in this way it can take the sting out of its tail.

I’m not saying that we shouldn’t assess or critique our creative output – but self criticism is only helpful when used as a positive tool, not a weapon.

Helen Wells abstract art


Insecurity and anxiety about our abilty/skill level or artwork hinders our ability to create. I let it stop me in my tracks and it stopped me creating and drawing for years.  I’m sad that I let that happen, but I’m definitely making up for lost time now. 

creative courage HELEN WELLS


Comparison is the thief of joy. Creativity is about being the glorious individual that you are, it’s about expressing yourself, it’s about allowing your song to be sung and embracing your own wonderful weirdness. 

Social media has made it so easy for us to compare ourselves, our lives, our creative output, our artwork with other people’s artwork. Or so we think… in my experience we tend to compare our very worst bits with someone else’s best bits. So don’t get side tracked by someone else’s journey, get focused on yours own.

creativity HELEN WELLS



The wonderful thing is that we are all in charge of making up our own rules when it comes to defining our success criteria. Success is a personal thing and should be unique to us as individuals. For some, success may be being represented by a gallery and super 'rock and roll' famous, for others it may be showing a painting in a local cafe, for others it may be trying a new type or paint, or drawing in a sketchbook for the first time. Don't let other people dictate your success criteria, we are all different and have different motivations, so don't let someone else's definition of success be yours by default. 

creativty and kindness


Impostor syndrome is definitely a thing.  It is the feeling that you're a fraud or that any day now you'll be exposed. Apparently it is, in part, due to being unable to internalise success, or take credit for your own achievements. When I started out as an artist, I thought every success was a fluke, every achievement was a happy accident. I still sometimes feel like this. When it happens I label it as "oh you're feeling that imposter thing again', acknowledge that I'm feeling it, do a mental run down of all my successes to remind myself I'm not really a massive fat fraud and I carry on regardless...

helen wells work in progress


I once heard that there is no such word for creativity in the Tibetan language and that the nearest translation was ‘natural’. I like that. I like the idea that creativity is a natural and innate way of being. When you look at young kids you have to agree. They can turn an empty box into an amazing adventure...I think that having a playful approach to our own creative endeavours can be so helpful. If you're playing, you're not obsessed with perfection. When you are playing  you are free to mess about a bit, try things out, it removes barriers and restrictions. When you are playing there are no rules, just experimentation and joy. When you are playing there is a lightness and an innate curiosity. Playing is fun, perfectionism is not.. 

helen wells art