Collages made from magazines

Music credit: Don’t Give up on Love by Ludlow via Epidemic Sound

In this video I share a small creative exercise: making collages from our imagination and an old magazine.

SIMPLE BUT NOT EASY

This kind of simple art exercise or challenge is an important part of my art journey. The premise is simple but the execution is not always easy. It involves thought and problem solving and working within constraints and trying to make something from not very much…

REFINING SKILLS

Just like any other discipline, art requires practice to refine skills, to develop self awareness and expand our zones of comfort. I enjoy incorporating small challenges into my art making, whatever the outcome may be. Being relaxed about the outcome is key, I think.

HAPPY WITH AN AVERAGE OUTCOME

I’ve now learned to be happy with not always loving what I create, particularly if iI’m just exploring or doing exercises.

I know that making average stuff is just part of art making. It’s actually a really important part…. It has taken me a long time to understand this though.

I used to think that everything I created must look lovely. That if I created something ugly it meant I wasn’t a good enough artist. I was insecure in my own abilities and wanted my work to somehow prove to myself that I was indeed good enough. This desire for perfection did not help me make better art, it added a weight of expectation and too much pressure. It just caused me unneccessary suffering along the way and a feeling of stuck-ness.

Putting too much significance on the outcome and wanting something to look good meant I became stuck doing the things I knew I could do. It meant that the joy of art making was always wedded to the outcome. It also meant that I didn’t allow myself to take any risks or push myself. Now I fully accept that not everything I create will work out how I want it to and actually if it always does I’m probably playing it too safe. Ofcourse I still want to make beautiful art that feels good to me, but I believe that creating art that I really love comes from creating lots of art, sometimes successful and sometimes not so much….

Abstract art: progression and process

Today I wanted to share a little insight about how my paintings progress and develop. I thought I’d show you some abstract paintings I’m currently working on at different stages of un-dress and un-doneness.

ALIGN THE PROCESS WITH THE INTENTION

Every artist has a different process and it’s important that the process you choose to use or develop reflects the things you are interested in. Our processes are a vital part of the mix, they are part of our art decision making, part of how we want our art to feel and be.

There is no one way to paint a painting. I try and ensure that the way I paint a painting emphasises and aligns with my sensibilities and reflects how I want my art to feel…

So for example I love delightful details, layers of complexity, rich maximalist combinations, I want my art to be bright and playful but also have a depth and complexity. I enjoy exuberance AND control. I like a sense of seeking and finding. I enjoy my paintings when they feel like they have a history, like they are interesting objects with a past. I want to celebrate beauty in the mundane. And because I have really thought about all this, I am better able to develop art making processes which give me these results.

TWO QUESTIONS

So in a nutshell it is useful to think “what are my paintings about?” and “how can my processes support and align with this?”

Art inspirations and fascinations

Creating art is a process of unpacking the things in life which fascinate; a wonderful way to explore obsessions and better understand curiosities. Creativity is a process of discovery and exploration.

By making art, I have discovered more about my self and the world I inhabit.

It has encouraged me to meet myself on the page, to become clearer on what moves me, motivates me, interests me and lights me up.  To follow the threads of my curiosity and weave them together. 

EXTERNAL WORLD

The process of creating art has ignited multiple and diverse love affairs for ancient textiles, seaweed, fossils, found patterns, painted ceramics, trees roots, sacred geometry, weeds, patterned rugs, reflections on water, hand embroidery, folk art, iridescence....

It has connected me to tthe world around me in a tangible life-enriching way. I notice more of what I am curious and fascinated by.

INTERNAL WORLD

It has also prompted me to tune-in to my own sensibilities. Why do I create art in the way that I do? What is my art about? I would say my art is about delightful details, beauty in the mundane, seeking and finding, layers of complexity, reveling in colour, fragments of wonder and awe, exuberance and control, moments of joy, combinations and juxtapositions, threads through time…

I want my art to feel expressive, joyful, combine exuberance with quietness, be bright, playful, interesting, complex.This is also how I want my life to feel, what excites me in my art is what I seek in my life and what I seek in my art is what excites me in life..

Drawing and exploring

In this video I share a little of my art process when creating something new. I like to draw and explore with different materials and approaches, think through doing… gradually unpack an idea. Get stuck in and see where it takes me.

Abstract art and art books

MUSIC CREDIT: If i wrote you a song, by Melanie Bell via Epidemic Sound

In this video I share a little of what I am up to in my art practice at the moment, painting on paper, the art books I’m currently reading and loving and a few recent adventures within my sketchbook…

ART BOOKS:

John Walker, The Blue Series, Messums Art Gallery, Catalogue, published in 2023

David Mankin, Remembering in Paint by Kate Reeve Edwards, published by Samson & Company 2021

My favorite types of sketchbook

WHY I LOVE SKETCHBOOKS

Sketchbooks are a place where I make art for myself. The pages are not necessarily filled with ‘sketches,’ the art is not necessarily a draft for something more important, although it can be, I think of my sketchbooks as a place where I experiment and express myself. Sketchbooks are where I gather together the hints, whispers and clues of my artistic practice. Sketchbooks are the filing cabinets for my art making. They are a place to collect and curate small delights and large curiosities. They are a place to make for the joy of creating, a place to find a path through, problem solve, follow a thread. They are both a homecoming and an adventure…

FILLING UP A SKETCHBOOK

I used to abandon sketchbooks after a few pages. Now I try to always fill them up, I’ve found that the more art is in a book the more inspiring I find it to work in, it gains a momentum, I often prefer what I’ve made in the second half of the book. There is something about a full sketchbook that gives me pride, the fact I am able to keep going and fill one up, it feels like an achievement.

I still find the first few pages of a sketchbook to be a little daunting though, sometimes I don’t even start on the first page, but rather I start a few pages in and circle back to fill in those first few pages when the sketchbook has found its footing…and I’m feeling more assured.

MY FAVOURITE TYPES OF SKETCHBOOK

Here are the types of sketchbook I use the most, these are just my personal preferences, the ones I like to use or buy.

1. VENEZIA BOOK FROM FABRIANO

I use different sketchbooks for different things and tend to have more than one on the go at once. For my main studio sketchbook I use a Venezia Book from Fabriano, it is my favourite. I like the paper which is 200gsm or 90lbs in weight, I use the version that is 23cm x 30 cm `which lays flat. It’s a good size for me and can take quite a lot of collage material and wet paint.

2. STILLMAN & BIRN ZETA RANGE

I buy the square version of this sketchbook which has beautiful smooth 270gsm paper and is 19cm x 19cm.

3. POCKET SIZE CONCERTINA SKETCHBOOK FROM SEAWHITE OF BRIGHTON

This is an accordion or concertina sketchbook made from long folded pieces of paper. These are small, portable and quick to fill as they are only 17.5cm x 9cm. The paper isn’t that thick but because the book is constructed from two long sheets of paper joined together it feels thicker than its 140gsm paper weight. It comes with a hard carrying case and I find it great for working outside or carrying about in my bag. It has two long pieces of paper, folded into pages and I enjoy working across these expanded surfaces and folding the pages in and out to see what I have created with new eyes.

4.DALER ROWNEY A3 ARTIST’S HARD BACK SKETCHBOOK

These hard backed sketchbooks are really large, it’s an A3 size which means a double page spread is A2. The paper is smooth acid free 160gsm and it contains 48 sheets or 48 double page spreads.

5. HANDMADE AND HOMEMADE ART BOOKS

As part of my overall sketchbook practice I love making all sorts of quick handmade, small art books and sketchbooks. I often make them from offcuts and oddments and abandoned and unloved pages and scrap paper and they become something new and interesting. To me a small homespun sketchbook feels quite liberating and joyful to create in. The stakes are low and so I perhaps create with less weight of expectation and more experimentation…