Love of Pattern

My love of decoration, ornament and pattern has been a life-long love affair.

All of my very earliest childhood memories involve pattern in some way..,the wallpaper in my infant bedroom, the pattern of a dress, a carpet, a bedspread, a plate, the decoration on our neighbour’s biscuit tin when I was only three or four. I see and remember the world via pattern.

The art we make reflects who we are back to us, doesn’t it?. It can be a projection, an extension of who we are, a culmination of our experiences, our sensibilities, our curiosities, our feelings…. And my art definitely celebrates a love of pattern.

Humans are pattern makers

I think perhaps patten also has an instinctual universal appeal too. Humans are pattern makers and pattern seekers. From the earliest times we have added ornament, decoration, motifs and marks to the items in our world, we turn the ordinary into the extraordinary through making our mark on the world. .We have always added pattern, ornamentation, decoration and detail to the items in our lives to make our lives more beautiful.

Humans are pattern seekers

We seek patterns as a way to understand the world.. there is comfort, familiarity and understanding in repetition and repeats…and at it’s most basic form that’s exactly what a pattern is. It’s a shape, a motif, a mark… repeated.

I seem to agree with the saying that ‘repetition makes perfect’…

Books and links

Here are the books I share in the video.

Terry Winters. Paintings, Drawings, Prints 1994–2004 Hardcover, 2005 by Richard Shiff (Author), Rachel Teagle (Author) Published by Yale University Press.

This book is now out of print but you can see more of Terry Winter’s art on his website here

Matisse in the Studio Hardcover – 6 April 2017 by Ellen McBreen (Author) et al, Royal Academy of the Arts

Looking back to go forward…

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In this video I show you some recent studies, sketches and sketchbooks and chat about how I often review my artwork as a way to take stock and inform my next art making move…. 

Spending a little time looking back over previous creations is a lovely way to recall, retain and be reminded of things that may have been forgotten and can bring clarity about what to make next.

REMEMBERING AND REMINISCING 

Looking back over work we have previously created is like catching up with old friends, remembering and reminiscing. 

CONNECTIONS AND COMBINING

When we look at our work collected together we are better able to see connections and themes and ways in which we may like to combine elements and ideas together to create something new. 

I find it useful to review my work with an inquisitive eye, asking questions such as:

• What do I find interesting here?

• What is calling to me?

• What do I find visually pleasing? A colour, a mark, a line quality, a combination or juxtaposition?

• Why does this appeal to me?

• How does it feel?

• How do I want my current art to feel?

• How could I evolve this?

• How could I develop it?

I find that what I have already created holds important signs or signals and reviewing it can ignite something new or prompt me to explore and expand on a theme or technique, spending time ‘mining’ our own creations can be a useful way to better understand our own artistic sensibilities and style.

THE PAST INFORMS THE FUTURE

There is a lovely continuum in art making, everything that we’ve made before, we bring to our new creations, nothing is ever wasted, it’s like everything we’ve already made informs everything to come….and I relish that continuity and evolution…

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One page sketchbooks

In this video I show you how to make a simple sketchbook from one piece of paper and a way to tidy them up by gluing and cutting.

I make these simple one page sketchbooks very frequently and have for many years. There is something extremely tactile and pleasing about their intimate scale. I like the fact that it’s just one piece of paper, no pressure, no expectations, it feels expansive and freeing.

The great thing is that you can make them from any paper you have, I happen to have a lot of heavy watercolour paper (350gsm) and I use that but you can use what you have to hand, you could even use cheap computer paper. These sketchbooks end up with 8 sides, so the end result will always be an eighth of the size of the paper you started with…

I sometimes begin the art work before the page is folded into a sketchbook, there is something about the surprising and unexpected compositions that come with the folding which I enjoy.

I’ve made them from abandoned drawings or from scrap pieces of paper, reusing and recycling and making something from not very much. I might take a painting that hasn’t quite worked and use it for the start of one of these art books, adding collage, painting over sections, turning the unloved into the loved.

Thank you to artist Sue Brown for the idea of gluing these sketchbooks. you can of course just make them by folding and one cut if you want to keep them super simple (the gluing helps if you are using thicker paper and want to neaten them up, because thick paper doesn’t fold as well and so the end result can get a little wonky.)

The beauty of things

In this video I share some insight into a recent series of paintings. This collection of abstract still-life paintings is inspired by some of the objects and things in my home…

“These artworks are loosely inspired by some of the objects and artefacts in my life and home. The objects I find beautiful and the things that have meaning to me.”

HELEN WELLS

Inspired by beautiful things…

I’m fascinated by the objects we travel through life with. Objects that we invite into our lives, into our homes and houses and our connection to those objects. These paintings celebrate that bond and are loosely inspired by some of the things in my home…and evolved from ideas I developed in my sketchbooks.

My sketchbooks are where everything I make starts. They are the birthplace of all my art. They are where my ideas percolate and develop, collect and gather. My sketchbooks are where I experiment and where my ideas unfurl and take shape. They are where I get to understand myself as an artist and where I get to understand the things that excite me and make me curious…

My hope is that these abstract still life paintings bring a moment of joy and invite a smile. They are bold, bright and exuberant…

Sketchbook pages

Sold out

Original Painting: Ornaments and Objects, 50cm x 50cm

Sold out

Original Painting: Cosy Corner, 50cm x 50cm

Making collages to inspire paintings

In this video I share a process I use to help me find new ideas and compositions…

CREATING COLLAGES

I make photocopies of things I’ve created, such as pages in my sketchbook, I collect together abandoned drawings, and offcuts and oddments from my art practice and I use all these pieces and fragments to create temporary collages which I then photograph.

The photographs are then used to inspire further drawings and paintings and then those drawings and paintings might be used to inspire something else…its a creative stepping stone.

A temporary collage made from old drawings, and photocopies of things I’ve created

FOLLOWING A BREADCRUMB TRAIL

Art making is often like following a breadcrumb trail through the forest to an unknown destination… I never quite know which path will lead to something magical and which will lead to a dead-end. I like the fact that making art can feel like a journey into the unknown...

A painting in my sketchbook (left) inspired by a collage made from pieces of an old magazine (right).

COLLAGES MADE FROM MAGAZINES

If you don’t have offcuts of your own art to use to create a collage, you could try with pieces cut from a magazine.

Above is a small collage I’ve created by cutting interesting bits and bobs out of a magazine.

Creating a composition from random found shapes and pieces is like constructing a puzzle… it involves lots of questioning and thought and is not always as easy as it may appear. ‘Does this look balanced? Is this interesting? Is it too busy? Is it too boring? Does it work as a unified whole? The sort of questions you need to ask when creating any art work are tested by this type of excercise. In all these experiments, I’m seeking discoveries, learnings, revelations…flexing my creative muscles.

I believe most artist’s have a seeker’s soul. Looking for fragments of ideas, trying to figure things out, attempting to join the dots, make connections, piecing things together to better understand themselves and the world around them. Trying to find out who they are as artists and how they want their art to look, feel and be in that moment…

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This mindset shift which has helped the most…

Music credit: Ludlow, Masterpiece of Mess

In this video I talk about how my art making changed dramatically when I stopped concentrating on the flaws in everything I created and started appreciating and seeking the things I loved about my own art. This change allowed me to appreciate my personal sensibilities, tune into what made my art feel like mine and improve my skills.

I love this quote from Ira Glass, the American writer and broadcaster. It is about writing but is true and applicable to all forms of creativity…

“All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple of years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer.

And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have.

We all go through this. And if you are just starting out or you are still in this phase, you gotta know it’s normal and the most important thing you can do is do a lot of work.

Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.”

IRA GLASS QUOTED IN 2009 WHEN TALKING ABOUT THE THE ART OF STORYTELLING ON CURRENT TV

This idea is true not just for beginners but for everyone who is at a point of transition, or trying something new or integrating a new process into their existing approach.

Our ambitions can be greater than our abilities and that is just part of the creative process…my advice is to keep going and keep paying close attention to what you like, enjoy and care about in your own work…

Art materials: felt tip pens

In this video I share some thoughts about using markers and felt tip pens in my sketchbook and share some of my favourites.

I really enjoy using this type of pen in my sketchbook practice, they are quick, portable and accessible. There is something playful, easeful and joyful about them. The brilliantly bright colours seem cheerful, optimistic and exuberant to me.

ART MATERIALS

Here are some of the felt tip pens I like to use, these are just my personal preferences, I tend to mix and match brands to find the colours I like. You may like to explore adding multiple layers of colour on top of each other to build up intensity and get a more unusual colour palette or experiment with combining felt tips pens, with other art materials such as collage and paint…

I mostly use water-based or indian ink based pens in my sketchbook, I find that alcohol based markers always seem to seep through to the page beneath no-matter the paper quality and I find their smell a little overpowering, so I mostly used water based….

These are the brands I use most often:

• Pentel Pocket Brush Pen ( this is the black brush pen I use the most which is refillable)

• Ecoline Brush Pens ( these pens can be refilled with Ecoline liquid watercolour which comes in bottles)

• Faber Castell PITT Artist Pens (indian ink based so waterproof)

• Stabilo Pen 68 BRUSH

• Staedtler 3001 double ended watercolour brush pen

• TomBow ABT Dual Brush Pens

  The Faber Castell and Tombow’s are the more expensive high-end ones, they are not cheap, but as a professional artist I do invest in materials. The Staedtler ones I find to be really good quality and excellent value. The Ecoline pens can be refilled. Please don’t feel you need to start with expensive pens, the best felt tip pens to use are always the ones you already own…(or perhaps the ones your kids or grandchildren own!)

My story

I became an artist a little later in life, in my late thirties. I didn’t go to art collage and gave up studying art when I was just seventeen. My route to becoming a full time artist has been a rather circuitous one. I didn’t create anything at all in my twenties, then spent my thirties obsessed with art, but only ever as a hobby. It wasn’t until my forties that art slowly evolved to become my full time career.

As a child, I was always drawing. I dreamed of being a textile designer. I loved spending hours creating elaborate and intricate patterns from my imagination. I used to get through so much paper that my father started to buy me large rolls of wallpaper lining-paper to keep up with my insatiable demand for something to draw on.

Recent artwork

Recent art work

Drawing from 40 years ago

My Mum was studying contemporary textiles when I was little, so she was always sewing or taking me to the haberdashery. Thread, fabric, colour, pattern were the back-drop to my childhood. I have always been fascinated by pattern and colour

But then at seventeen when a school time-tabling clash wouldn’t allow me to study art with my other subjects, I gave up studying art and I gave up creating art and I allowed it to just slip out of my life.

A little bit of heartbreak brought me back to art making. A relationship breakup when I was 28 or 29 left me moping around with no summer holiday plans. I decided to book myself onto a two week painting summer school at a London art college. It was there that I started a much more fulfilling love affair… I fell completely and utterly in love with drawing and painting.

For nearly all of my thirties art was a hobby, I tried to go to art collage and was rejected after a terrible interview, so I just thought that creating art would remain a life enhancing, life enriching hobby.

In my late thirties as I climbed the career ladder at the charity I had worked at for for nearly a decade, I began to feel that perhaps I had laid my ladder against the wrong wall.

I had a clear epiphany out of the blue one day, that I really did want to make art a more significant part of my life… so I set about trying to make art my career.

I took tiny steps in the right direction. I started to try and sell my art online. I entered competitions and group shows and slowly and surely things started to happen. I won a Winsor & Newton watercolour competition which meant my art was displayed at The Saatchi Gallery in London. Eight of my paintings were displayed at one of Gordon Ramsay’s restaurants… I build my confidence, learnt new skills and made art my part time career and then eventually my full time career.

Recent sketchbook pages

Recent sketchbook pages

I’ve now patch-worked an art career together through trial and error, finding out what works and what I enjoy. I love the career I have built. I license my work for wall art, branding and products. I sell my original paintings and complete commissions for original art projects such as for hospitals. I have written a book about mixed media sketchbooks and I teach online classes.

Drawing and exploring

In this video I share a little of my art process when creating something new. I like to draw and explore with different materials and approaches, think through doing… gradually unpack an idea. Get stuck in and see where it takes me.

Artist research: questions and answers

I am lucky and honoured to get lots of questions from students so here is an artist research page to help answer some questions.

Describe your work:

My artwork is sometimes intuitive and intricate and sometimes bold and colourful. It often features motifs from nature or the world around me. I use expressive mark making to create abstract pieces which feature repetition and rhythm, layers of complexity and organic forms. I’m fascinated by the interplay of colours, shapes and patterns. My paintings are rarely envisioned but develop over days as I respond to the materials and the marks on the page, creating complex layer pieces full of colour and detail.

What are you inspired by?

I’m mesmerized by the beauty, colour and pattern in the natural world and in the world around me. I’ll frequently have a love affair with something where I become obsessed with it for a while; from snow flake structures, to patterns on shells, or the colours and patterns on fish scales, or antique Indian textiles, or bird feathers or butterfly wings, or the patterns on maps… I also have some magpie tendencies and am rather drawn to the glittering and glinting, iridescent or luminous… I try and seek inspiration everywhere - I will go out and walk in nature or around my home with my camera - seeking small details and interesting patterns and shapes.

What processes do you use to create your art?

I experiment in my sketchbooks and will sometimes take a seed of an idea from these and use it as a springboard for a larger work or series of work. My sketchbooks are the foundation of my artistic practice, they are where I try things out, experiment and reflect on my curiosities and fascinations.

My sketchbooks allow me to gather themes and fragments of ideas that I may want to explore more, I can look back on my sketchbooks and see whispers of ideas forming and recurring motifs and fascinations emerging. I rarely copy something from my sketchbook into a larger piece, but my sketchbook is where ideas, motifs, art material mixes ‘develop’ and then these recurring themes turn up in my paintings. I don’t ever really plan out a painting, I have a tiny starting part, a colour or a shape or a detail and I begin and respond to what emerges.

How did you develop your art style?

We all have a unique way of seeing and interpreting the world and our art is a reflection on this. My style developed from making lots of art, reflecting on the art I had made and getting curious about the aspects of it that excited me… and doing more of that. I believe my art style is always evolving and developing, it isn’t a landing spot, it’s a conversation that continues and evolves.

When did you know you wanted to be an artist?

As a child, I was always drawing. I loved spending hours creating elaborate and intricate patterns from my imagination. I used to get through so much paper that my dad started to buy me large rolls of wallpaper lining-paper to keep up with my insatiable demand for more paper. I used to have a large box in which I collected shiny and patterned papers, from sweet wrappers, pages torn from magazines, bits of shiny wrapping paper. I loved my “special paper” box, I used to like tipping it on the floor and seeing how the different patterns and colours combined with each other. So, drawing and painting was something which came innately to me as a child. But I only became a full-time artist later in life. I took a rather circuitous route to get here as a profession and it is perhaps all the sweeter for it.

Why do you make art?

* It’s fulfilling to make something from nothing

* When I’m in flow it can be meditative and absorbing to work with my hands

* I enjoy the problem solving, overcoming the obstacles, the satisfaction from keeping going when something isn’t working and finding a way to resolve it in some way

* It helps me to see the world with new and curious eyes, it brings more wonder and awe into my life

* I relish the sensory pleasure, the materials, the tactile nature of art supplies and paper

* It brings joy, colour and pattern into my life

* It helps me to respond to and interpret my interior world and the world around me

* I notice more, pay more attention to details and become more fascinated by random and unexpected beauty

* I uncover, discover and explore my interests and come up with new ones

* I enjoy the learning and the development, trying new things, exploring new techniques, the sense of possibility

* It is a way to find myself, express myself and be myself

* It feels nourishing and good for my soul and wellbeing

* Art making helps me to connect to myself and the world around me

* It is a way to understand who I am and what I am interested in. My art is my response to being in the world. It is an ongoing conversation with myself which unfurls and develops…

Where do you work?

I am very lucky to have two rooms at the top of our house in Hastings. I’ve painted the walls and floor white to maximize the light. Having painted wooden floors also means I can roll back the rugs and make a real mess without any worries. I love rugs and have them everywhere, bright bursts of colour and pattern that sing to me. So, although the walls and floor of my space are white, the space is far from minimalist.

I love collecting weird and wonderful objects and picking up old or unusual objects in junk shops. My place is scattered with old tins, patterned ceramics, pebbles from the beach, old books and interesting textiles.

The house is half way up a hill, so one of the rooms has an amazing view of the town and sky. I just love this view and find the ever changing colours and patterns of the clouds a great inspiration. Having two rooms, means I can move around depending on the time of day – leave artworks to dry, whilst packing others.

Where do you seek inspiration?

Sometimes being an artist is like being a visual adventurer. I am always on the lookout for colours, patterns, tiny inspirations that I can collect, expand upon and use in my paintings. Sometimes these come through active searching, I might take a walk on the beach or in nature to actively seek-out some inspiration, looking at the details of plants and the shapes of the leaves, patterns on pebbles, or the way the water creates lines in the sand.

What art materials do you use?

I love to mix art supplies and mix mediums. I like to experiment, explore and combine different art materials to create layers of interest and variety. I am always trying out new mixes and combinations to see what resonates with me. I love watercolour with fine-liner pen. Acrylic paint with photocopies. White ink pen over black ink. I enjoy using unexpected art making tools such as twigs or pieces of discarded ephemera.

When and where were you born?

I was born in London in 1975.