Abstract art and art books…

In this video I share a little of what I am up to in my art practice at the moment, painting on paper, the art books I’m currently reading and loving and a few recent adventures within my sketchbook…

ART BOOKS: John Walker, The Blue Series, Messums Art Gallery, Catalogue, published in 2023

David Mankin, Remembering in Paint by Kate Reeve Edwards, published by Samson & Company 2021

MUSIC CREDIT: If I wrote you a song, by Melanie Bell vie Epidemic Sound

Abstract art: progression and process

Today I wanted to share a little insight about how my paintings progress and develop. I thought I’d show you some abstract paintings I’m currently working on at different stages of un-dress and un-doneness.

ALIGN THE PROCESS WITH THE INTENTION

Every artist has a different process and it’s important that the process you choose to use or develop reflects the things you are interested in. Our processes are a vital part of the mix, they are part of our art decision making, part of how we want our art to feel and be.

There is no one way to paint a painting. I try and ensure that the way I paint a painting emphasises and aligns with my sensibilities and reflects how I want my art to feel…

So for example I love delightful details, layers of complexity, rich maximalist combinations, I want my art to be bright and playful but also have a depth and complexity. I enjoy exuberance AND control. I like a sense of seeking and finding. I enjoy my paintings when they feel like they have a history, like they are interesting objects with a past. I want to celebrate beauty in the mundane. And because I have really thought about all this, I am better able to develop art making processes which give me these results.

TWO QUESTIONS

So in a nutshell it is useful to think “what are my paintings about?” and “how can my processes support and align with this?”

Art inspirations and fascinations

Creating art is a process of unpacking the things in life which fascinate; a wonderful way to explore obsessions and better understand curiosities. Creativity is a process of discovery and exploration.

By making art, I have discovered more about my self and the world I inhabit.

It has encouraged me to meet myself on the page, to become clearer on what moves me, motivates me, interests me and lights me up.  To follow the threads of my curiosity and weave them together. 

EXTERNAL WORLD

The process of creating art has ignited multiple and diverse love affairs for ancient textiles, seaweed, fossils, found patterns, painted ceramics, trees roots, sacred geometry, weeds, patterned rugs, reflections on water, hand embroidery, folk art, iridescence....

It has connected me to tthe world around me in a tangible life-enriching way. I notice more of what I am curious and fascinated by.

INTERNAL WORLD

It has also prompted me to tune-in to my own sensibilities. Why do I create art in the way that I do? What is my art about? I would say my art is about delightful details, beauty in the mundane, seeking and finding, layers of complexity, reveling in colour, fragments of wonder and awe, exuberance and control, moments of joy, combinations and juxtapositions, threads through time…

I want my art to feel expressive, joyful, combine exuberance with quietness, be bright, playful, interesting, complex.This is also how I want my life to feel, what excites me in my art is what I seek in my life and what I seek in my art is what excites me in life..

My favorite types of sketchbook

WHY I LOVE SKETCHBOOKS

Sketchbooks are a place where I make art for myself. The pages are not necessarily filled with ‘sketches,’ the art is not necessarily a draft for something more important, although it can be, I think of my sketchbooks as a place where I experiment and express myself. Sketchbooks are where I gather together the hints, whispers and clues of my artistic practice. Sketchbooks are the filing cabinets for my art making. They are a place to collect and curate small delights and large curiosities. They are a place to make for the joy of creating, a place to find a path through, problem solve, follow a thread. They are both a homecoming and an adventure…

FILLING UP A SKETCHBOOK

I used to abandon sketchbooks after a few pages. Now I try to always fill them up, I’ve found that the more art is in a book the more inspiring I find it to work in, it gains a momentum, I often prefer what I’ve made in the second half of the book. There is something about a full sketchbook that gives me pride, the fact I am able to keep going and fill one up, it feels like an achievement.

I still find the first few pages of a sketchbook to be a little daunting though, sometimes I don’t even start on the first page, but rather I start a few pages in and circle back to fill in those first few pages when the sketchbook has found its footing…and I’m feeling more assured.

MY FAVOURITE TYPES OF SKETCHBOOK

Here are the types of sketchbook I use the most, these are just my personal preferences, the ones I like to use or buy.

1. VENEZIA BOOK FROM FABRIANO

I use different sketchbooks for different things and tend to have more than one on the go at once. For my main studio sketchbook I use a Venezia Book from Fabriano, it is my favourite. I like the paper which is 200gsm or 90lbs in weight, I use the version that is 23cm x 30 cm `which lays flat. It’s a good size for me and can take quite a lot of collage material and wet paint.

2. STILLMAN & BIRN ZETA RANGE

I buy the square version of this sketchbook which has beautiful smooth 270gsm paper and is 19cm x 19cm.

3. POCKET SIZE CONCERTINA SKETCHBOOK FROM SEAWHITE OF BRIGHTON

This is an accordion or concertina sketchbook made from long folded pieces of paper. These are small, portable and quick to fill as they are only 17.5cm x 9cm. The paper isn’t that thick but because the book is constructed from two long sheets of paper joined together it feels thicker than its 140gsm paper weight. It comes with a hard carrying case and I find it great for working outside or carrying about in my bag. It has two long pieces of paper, folded into pages and I enjoy working across these expanded surfaces and folding the pages in and out to see what I have created with new eyes.

4.DALER ROWNEY A3 ARTIST’S HARD BACK SKETCHBOOK

These hard backed sketchbooks are really large, it’s an A3 size which means a double page spread is A2. The paper is smooth acid free 160gsm and it contains 48 sheets or 48 double page spreads.

5. HANDMADE AND HOMEMADE ART BOOKS

As part of my overall sketchbook practice I love making all sorts of quick handmade, small art books and sketchbooks. I often make them from offcuts and oddments and abandoned and unloved pages and scrap paper and they become something new and interesting. To me a small homespun sketchbook feels quite liberating and joyful to create in. The stakes are low and so I perhaps create with less weight of expectation and more experimentation…

Artist research: questions and answers

I am lucky and honoured to get lots of questions from students so here is an artist research page to help answer some questions.

Describe your work:

My artwork is sometimes intuitive and intricate and sometimes bold and colourful. It often features motifs from nature or the world around me. I use expressive mark making to create abstract pieces which feature repetition and rhythm, layers of complexity and organic forms. I’m fascinated by the interplay of colours, shapes and patterns. My paintings are rarely envisioned but develop over days as I respond to the materials and the marks on the page, creating complex layer pieces full of colour and detail.

What are you inspired by?

I’m mesmerized by the beauty, colour and pattern in the natural world and in the world around me. I’ll frequently have a love affair with something where I become obsessed with it for a while; from snow flake structures, to patterns on shells, or the colours and patterns on fish scales, or antique Indian textiles, or bird feathers or butterfly wings, or the patterns on maps… I also have some magpie tendencies and am rather drawn to the glittering and glinting, iridescent or luminous… I try and seek inspiration everywhere - I will go out and walk in nature or around my home with my camera - seeking small details and interesting patterns and shapes.

What processes do you use to create your art?

I experiment in my sketchbooks and will sometimes take a seed of an idea from these and use it as a springboard for a larger work or series of work. My sketchbooks are the foundation of my artistic practice, they are where I try things out, experiment and reflect on my curiosities and fascinations.

My sketchbooks allow me to gather themes and fragments of ideas that I may want to explore more, I can look back on my sketchbooks and see whispers of ideas forming and recurring motifs and fascinations emerging. I rarely copy something from my sketchbook into a larger piece, but my sketchbook is where ideas, motifs, art material mixes ‘develop’ and then these recurring themes turn up in my paintings. I don’t ever really plan out a painting, I have a tiny starting part, a colour or a shape or a detail and I begin and respond to what emerges.

How did you develop your art style?

We all have a unique way of seeing and interpreting the world and our art is a reflection on this. My style developed from making lots of art, reflecting on the art I had made and getting curious about the aspects of it that excited me… and doing more of that. I believe my art style is always evolving and developing, it isn’t a landing spot, it’s a conversation that continues and evolves.

When did you know you wanted to be an artist?

As a child, I was always drawing. I loved spending hours creating elaborate and intricate patterns from my imagination. I used to get through so much paper that my dad started to buy me large rolls of wallpaper lining-paper to keep up with my insatiable demand for more paper. I used to have a large box in which I collected shiny and patterned papers, from sweet wrappers, pages torn from magazines, bits of shiny wrapping paper. I loved my “special paper” box, I used to like tipping it on the floor and seeing how the different patterns and colours combined with each other. So, drawing and painting was something which came innately to me as a child. But I only became a full-time artist later in life. I took a rather circuitous route to get here as a profession and it is perhaps all the sweeter for it.

Why do you make art?

* It’s fulfilling to make something from nothing

* When I’m in flow it can be meditative and absorbing to work with my hands

* I enjoy the problem solving, overcoming the obstacles, the satisfaction from keeping going when something isn’t working and finding a way to resolve it in some way

* It helps me to see the world with new and curious eyes, it brings more wonder and awe into my life

* I relish the sensory pleasure, the materials, the tactile nature of art supplies and paper

* It brings joy, colour and pattern into my life

* It helps me to respond to and interpret my interior world and the world around me

* I notice more, pay more attention to details and become more fascinated by random and unexpected beauty

* I uncover, discover and explore my interests and come up with new ones

* I enjoy the learning and the development, trying new things, exploring new techniques, the sense of possibility

* It is a way to find myself, express myself and be myself

* It feels nourishing and good for my soul and wellbeing

* Art making helps me to connect to myself and the world around me

* It is a way to understand who I am and what I am interested in. My art is my response to being in the world. It is an ongoing conversation with myself which unfurls and develops…

Where do you work?

I am very lucky to have two rooms at the top of our house in Hastings. I’ve painted the walls and floor white to maximize the light. Having painted wooden floors also means I can roll back the rugs and make a real mess without any worries. I love rugs and have them everywhere, bright bursts of colour and pattern that sing to me. So, although the walls and floor of my space are white, the space is far from minimalist.

I love collecting weird and wonderful objects and picking up old or unusual objects in junk shops. My place is scattered with old tins, patterned ceramics, pebbles from the beach, old books and interesting textiles.

The house is half way up a hill, so one of the rooms has an amazing view of the town and sky. I just love this view and find the ever changing colours and patterns of the clouds a great inspiration. Having two rooms, means I can move around depending on the time of day – leave artworks to dry, whilst packing others.

Where do you seek inspiration?

Sometimes being an artist is like being a visual adventurer. I am always on the lookout for colours, patterns, tiny inspirations that I can collect, expand upon and use in my paintings. Sometimes these come through active searching, I might take a walk on the beach or in nature to actively seek-out some inspiration, looking at the details of plants and the shapes of the leaves, patterns on pebbles, or the way the water creates lines in the sand.

What art materials do you use?

I love to mix art supplies and mix mediums. I like to experiment, explore and combine different art materials to create layers of interest and variety. I am always trying out new mixes and combinations to see what resonates with me. I love watercolour with fine-liner pen. Acrylic paint with photocopies. White ink pen over black ink. I enjoy using unexpected art making tools such as twigs or pieces of discarded ephemera.

When and where were you born?

I was born in London in 1975.