Inside the art journal of Frida Kahlo

THE DIARY OF FRIDA KAHLO: AN INTIMATE SELF PORTRAIT

In this video I take you inside the art journal or visual diary of the artist Frida Kahlo. I share the book: The Diary of Frida Kahlo: An Intimate Self Portrait published in 1995 by Abradale Press an in-print of Abrams Books, with subsequent reprints in later years. You can read more about this book on the publisher’s website, it is still in print today…

It’s a book which I come back to time and again.

Frida Kahlo, one of the most iconic artists of the 20th century, was born in Mexico in 1907 and is famous for her self-portraits, characterised by vibrant colours and powerful symbolic imagery,

This book fully replicates 170 pages of her visual journal or sketchbook. She worked in the book for the last ten years of her life between circa 1945 and 1955 and it gives a intimate insight into the woman and the artist.

INTROSPECTION AND EXPRESSION

Her diary or sketchbook, I think, reflects both a deep introspection and bold self-expression. She has clearly used this book as a means of exploring her inner thoughts, emotions, and personal experiences, her identity and her place in the world.

IMAGERY AND SYMBOLISM

It’s packed with symbolic imagery, metaphors, personal, political, religious and cultural iconography all patch-worked together.

Pages from Frida Kahlo’s visual diary

EXPLORATION AND EXPERIMENTATION

It also shows all sorts of artistic exploration and experimentation, she mixes up various techniques, styles, and art materials. She combines elements of realism, surrealism with symbols and motifs to create a visually rich, and at times bewildering and beguiling whole.

I think she is exploring her personal pain and suffering and yet it also clearly demonstrates her magnificent wit, playful spirit and vibrancy…

Her journal feels like a significant work of self-expression, resilience and creativity…and I think it’s just fascinating.

Making collages to inspire paintings

In this video I share a process I use to help me find new ideas and compositions…

CREATING COLLAGES

I make photocopies of things I’ve created, such as pages in my sketchbook, I collect together abandoned drawings, and offcuts and oddments from my art practice and I use all these pieces and fragments to create temporary collages which I then photograph.

The photographs are then used to inspire further drawings and paintings and then those drawings and paintings might be used to inspire something else…its a creative stepping stone.

A temporary collage made from old drawings, and photocopies of things I’ve created

FOLLOWING A BREADCRUMB TRAIL

Art making is often like following a breadcrumb trail through the forest to an unknown destination… I never quite know which path will lead to something magical and which will lead to a dead-end. I like the fact that making art can feel like a journey into the unknown...

A painting in my sketchbook (left) inspired by a collage made from pieces of an old magazine (right).

COLLAGES MADE FROM MAGAZINES

If you don’t have offcuts of your own art to use to create a collage, you could try with pieces cut from a magazine.

Above is a small collage I’ve created by cutting interesting bits and bobs out of a magazine.

Creating a composition from random found shapes and pieces is like constructing a puzzle… it involves lots of questioning and thought and is not always as easy as it may appear. ‘Does this look balanced? Is this interesting? Is it too busy? Is it too boring? Does it work as a unified whole? The sort of questions you need to ask when creating any art work are tested by this type of excercise. In all these experiments, I’m seeking discoveries, learnings, revelations…flexing my creative muscles.

I believe most artist’s have a seeker’s soul. Looking for fragments of ideas, trying to figure things out, attempting to join the dots, make connections, piecing things together to better understand themselves and the world around them. Trying to find out who they are as artists and how they want their art to look, feel and be in that moment…

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This mindset shift which has helped the most…

Music credit: Ludlow, Masterpiece of Mess

In this video I talk about how my art making changed dramatically when I stopped concentrating on the flaws in everything I created and started appreciating and seeking the things I loved about my own art. This change allowed me to appreciate my personal sensibilities, tune into what made my art feel like mine and improve my skills.

I love this quote from Ira Glass, the American writer and broadcaster. It is about writing but is true and applicable to all forms of creativity…

“All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple of years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer.

And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have.

We all go through this. And if you are just starting out or you are still in this phase, you gotta know it’s normal and the most important thing you can do is do a lot of work.

Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.”

IRA GLASS QUOTED IN 2009 WHEN TALKING ABOUT THE THE ART OF STORYTELLING ON CURRENT TV

This idea is true not just for beginners but for everyone who is at a point of transition, or trying something new or integrating a new process into their existing approach.

Our ambitions can be greater than our abilities and that is just part of the creative process…my advice is to keep going and keep paying close attention to what you like, enjoy and care about in your own work…

Collages made from magazines

Music credit: Don’t Give up on Love by Ludlow via Epidemic Sound

In this video I share a small creative exercise: making collages from our imagination and an old magazine.

SIMPLE BUT NOT EASY

This kind of simple art exercise or challenge is an important part of my art journey. The premise is simple but the execution is not always easy. It involves thought and problem solving and working within constraints and trying to make something from not very much…

REFINING SKILLS

Just like any other discipline, art requires practice to refine skills, to develop self awareness and expand our zones of comfort. I enjoy incorporating small challenges into my art making, whatever the outcome may be. Being relaxed about the outcome is key, I think.

HAPPY WITH AN AVERAGE OUTCOME

I’ve now learned to be happy with not always loving what I create, particularly if iI’m just exploring or doing exercises.

I know that making average stuff is just part of art making. It’s actually a really important part…. It has taken me a long time to understand this though.

I used to think that everything I created must look lovely. That if I created something ugly it meant I wasn’t a good enough artist. I was insecure in my own abilities and wanted my work to somehow prove to myself that I was indeed good enough. This desire for perfection did not help me make better art, it added a weight of expectation and too much pressure. It just caused me unneccessary suffering along the way and a feeling of stuck-ness.

Putting too much significance on the outcome and wanting something to look good meant I became stuck doing the things I knew I could do. It meant that the joy of art making was always wedded to the outcome. It also meant that I didn’t allow myself to take any risks or push myself. Now I fully accept that not everything I create will work out how I want it to and actually if it always does I’m probably playing it too safe. Ofcourse I still want to make beautiful art that feels good to me, but I believe that creating art that I really love comes from creating lots of art, sometimes successful and sometimes not so much….

Art materials: felt tip pens

In this video I share some thoughts about using markers and felt tip pens in my sketchbook and share some of my favourites.

I really enjoy using this type of pen in my sketchbook practice, they are quick, portable and accessible. There is something playful, easeful and joyful about them. The brilliantly bright colours seem cheerful, optimistic and exuberant to me.

ART MATERIALS

Here are some of the felt tip pens I like to use, these are just my personal preferences, I tend to mix and match brands to find the colours I like. You may like to explore adding multiple layers of colour on top of each other to build up intensity and get a more unusual colour palette or experiment with combining felt tips pens, with other art materials such as collage and paint…

I mostly use water-based or indian ink based pens in my sketchbook, I find that alcohol based markers always seem to seep through to the page beneath no-matter the paper quality and I find their smell a little overpowering, so I mostly used water based….

These are the brands I use most often:

• Pentel Pocket Brush Pen ( this is the black brush pen I use the most which is refillable)

• Ecoline Brush Pens ( these pens can be refilled with Ecoline liquid watercolour which comes in bottles)

• Faber Castell PITT Artist Pens (indian ink based so waterproof)

• Stabilo Pen 68 BRUSH

• Staedtler 3001 double ended watercolour brush pen

• TomBow ABT Dual Brush Pens

  The Faber Castell and Tombow’s are the more expensive high-end ones, they are not cheap, but as a professional artist I do invest in materials. The Staedtler ones I find to be really good quality and excellent value. The Ecoline pens can be refilled. Please don’t feel you need to start with expensive pens, the best felt tip pens to use are always the ones you already own…(or perhaps the ones your kids or grandchildren own!)

Mixing art supplies

Today I’m chatting about mixing media and combining art supplies…

CONNECTION WITH THE MATERIALS

There is something about the physicality of creating art which I love, the connection to the art materials is part of the joy. I try and choose my art materials with intention, they influence and inform what I make. I relish the sensory and tactile nature of mixing the paint, touching the materials, how the paper feels, the physical connection to what is on the page. I enjoy leaving my mark on the page, the evidence of the physical act of art making is an integral part of my art…

UNEXPECTED DELIGHTS

There is real delight to be found in mixing different types of media and art supplies on one page, the visual variety, the different sensibilities of different art materials combing to create something surprising, interesting or unexpected.

INSPIRED BY THE PROCESS

When making art in a sketchbook, the outcome is not so important, this allows a certain amount of freedom to explore different processes, materials and combinations of materials. The magical element is often what is discovered about the way materials can be manipulated, how they play together...